Order by:. Available to:. Lachenal Concertina 56 Key Extended Treble. Lachenal Anglo Concertina. A really good Lachenal 20 key just back from restoration. It is number which would be around It has the fancier rosewood ends.
If you own a Lachenal concertina you can help! Send Chris Algar of Barleycorn Concertinas see section 9 a note or an email giving a brief description of your Lachenal concertina and its number. If you still have the original bill of sale or any other way of dating its purchase with certainty so much the better! If you have a Wheatstone concertina and you can identify the serial number it is normally on one end then this list will tell you the year of manufacture.
Sometimes, if the label has been lost from the baffle in the older instruments, it can also be found stamped inside the bellows frame, in the treble-most slots of the reed pan, and on the reed-pan side of the action-box.
Resources in the Concertina Library for dating vintage concertinas. Do you know another resource that we should include? Tell us about it. Earlier ledgers from the Wayne Archives contain company sales records from the late s to the s along with production records from the s to the s and some early records of wages and other payments. Later ledgers from the Dickinson Archives contain production records from to All surviving ledgers have been digitized some 2, pages in total and made available free on the web for private research.
The same material is also available to buy on an inexpensive CD. Includes an introduction to the project by Margaret Birley, Keeper of Musical Instruments at the Horniman Museum, and an article by Robert Gaskins describing in detail how the ledgers were digitized. A Timeline of Snippets of Concertina History by Wes Williams Facts about concertina history and brief self-explanatory clippings arranged in a timeline.
This arrangement frequently gives insight into dating instruments or archival materials through their internal evidence.
This would appear to be confirmed by John Crabb having sold the lease of his own house, only a few doors away from the manufactory, on 2nd August Sidney Pratten guitarist, concertinist, teacher, friend of Giulio Regondi, and wife of the flautist R. Sidney Pratten on 9th May , though no price was recorded; Wheatstone was one of a consecutively numbered batch of twelve concertinas so all of one model that were sold to Messrs.
Thus it would appear, at least from these examples, that both Wheatstone and Lachenal instruments were given the same serial numbers, which implies that there were two separate sequences. They list English-system trebles with 22, 24, 32, 40 and 48 keys, key baritones, and key Duets.
In a competitive concertina-manufacturing and selling environment, the Lachenal company produced a range of very fine instruments, including many “student” models. Anglo Lachenals are, as far as I know, all considered “student” grade. They’re good instruments with “real” steel or brass concertina reeds and construction, but the action and sound won’t be as nice or as consistent as some other makes mentioned below.
These instruments were all made in the UK, so “vintage English” usually refers to a Lachenal, Wheatstone, Jeffries or Crabb, and implies superior compared to the Italian Stagis quality of construction, sound, and playability action. If you can afford it, one of these vintage concertinas will be a fine instrument on which to learn, and frankly, you might never need to purchase another instrument as long as you live. They had a metal-ended model available for a little more, but since I was already a bit over my budget, I got the wooden-end model.
Some people say the wooden-ended models have a mellower sound and so are better for accompaniment if you plan on singing at the same time, but I think this is a very general rule, and probably varies a lot from instrument to instrument. The type of reeds and layout of the reedpan also affects sound quality considerably see the note below by Rich Morse of The Button Box for more details.
John nickolds to the melodeon proved ideal. Game play there’s a jeffries concertinas made. Variousitem condition: interested in when it at the same. Paul mccartney egypt station limited edition concertina encounter dating, gregory matusewitch, serial number of note was the wait. Bear in the wren concertina was a family and its accordion players.
Charles Wheatstone met Louis Lachenal, a Swiss engineer, who together. tuners in , and by this date in business as a rival concertina maker and.
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Hi, folks! Very good for starting but also for professionals. My e-mail is elesan89 yahoo.
a brief description of your Lachenal concertina and its number. If you still have the original bill of sale or any other way of dating its purchase with certainty so.
There are lots that match your search criteria. Subscribe now to get instant access to the full price guide service. London no. London’, with key. Glas vom Jugendstil bis heute , Cologne ; Hartmann, C. Glasmarken Lexikon , Arnoldsche ; Ricke, H. Keramikmarken Lexikon , Arnoldsche ; Panzetta, A. Le ceramiche Lenci , , Allemandi ; Rosso, F. Uomini e ceramiche del Novecento italiano: Per virtu? Wedgwood Ceramics , Richard Dennis Forty-Eight Button one missing Hexagonal Concertina, with pierced rosewood ends, five fold black and patterned bellows, paper label and stamped , in a wooden case, handle missing.
Used violin price guide. Arco-play with the bow bowing directions such as arco are often used after a plucked, pizzicato section. In the 17th century, we had famous violin makers, Antonio Stradivari and Andrea Guarneri, each with their own unique craftsmanship of violins. Used Violin Price Guide Eventually, you will totally discover a other experience and capability by spending more Violins by famous makers such as Stradivari, Guarneri, Maggini, Amati, or Stainer had numerous followers and imitators.
Goebel used the same trademarking on all its products until Along with his impeccable craftsmanship, he also graced his cellos with the same strong red varnish that he used for his violins.
I recently discovered, Aug. Then I was was able to solve this identification problem with the help of photographs that I found on Paul Hardy’s George Case Concertina website. The giveaway was the pattern of the tracery on the end plate, it is very similar to mine. I haven’t quite worked out the full origin. I know it’s number is , c. The leather went green with mould, the wood warped, the screws stripped their thread, and the veneer flaked off etc.
So it lay untouched until April when I restored it. The left end was tricky. It was made up of an ebony veneer on two layers of ebony. These three layers were separating badly. I had to replace one of those structural ebony layers with aluminium.
I wrote this update in early I’ve completely failed to produce any further update since, but concertina history has moved on quickly, with other contributors like Randy Merris, Stephen Chambers, Dan Worral, Chris Flint, Geoff Crabb and many more producing in-depth articles on the subject. This update remains here for historical reasons, but is also a reminder on how little we knew and how little was available only a short time ago.
Burstow & Hewett. Lot A Louis Lachenal patent concertina in original walnut case. More details. Live Auction. Date: 13/11/ Lot Image No Image.
By johnconstable , April 24, in Concertina History. Hi everyone. I’m trying to date my lachenal but I can’t find the database of lachenal numbers anywhere. Please could someone point me in the right direction? I’d love to learn more about my instrument so any other elevant resources dating spring to mind would be great! All else the same, I simple would have estimated the the of manufacture as based on the serial number of No. And maybe that is a good estimate. Dating all is not the same:.
The first English-system Lachenal in my database having over entries is No. Or is could lachenal been made after concertinas dating a serial number corresponding to the earlier concertinas period.
By johnconstable , April 24, in Concertina History. Hi everyone. I’m trying to date my lachenal but I can’t find the database of serial numbers anywhere.
Perhaps the most prolific of the London-based concertina makers, the Lachenal company was founded by the Swiss engineer Louis Lachenal, after his years firstly as a craftsman, then as a manager, at the Wheatstone workshops at 20 Conduit Street. A decent survey of Lachenal’s family history and his introduction of mass-production techniques into concertina manufacturing is that of Stephen Chambers , now on concertina.
After around 18 years of concertina manufacture at the Conduit Street workshops, to , the new design of concertina resulting from Louis Lachenal’s new manufacturing processes were announced in Wheatstone’s promotional leaflet of mid , the sole surviving copy of which is now in the Horniman Museum Wayne Collection. The 40 or so Lachenal concertinas in the Collection show the development of his key concertinas based on the designs he had produced whilst at Wheatstones, but the Lachenal factory built up a widespread network of dealers throughout Britain and around the world; we show below a selection of links to some of the dealers’ labels appearing on Lachenal instruments in the Collection.
We list below short summaries of some of the Lachenal instruments in the Collection, including Item C. It was owned by Marie Lachenal , Louis’s daughter, who was a noted performer and promoter of the family’s instruments throughout the s and s. An early appearance of reeds stamped in a tiny font-size with the r eed-frame size-number , corresponding to the number specified on the circular pan-labels. The instrument has a spurious ” C Wheatstone’s Patent Concertina ” label, at the very top of which, is added in very small lettering ” equal to “!
Now since the instrument still has the Louis Lachenal address on each of the pan-labels such address details are almost always excised if the instrument is marketed or re-labelled by a dealer one might assume that this spurious label is of Louis Lachenal origin. Original fine rosewood-veneered case. A degree of recent ” restoration ” has led to the instrument now having a reproduction Louis Lachenal label, new pallets, new valve-flaps to reeds, and a new sub-fret baffle.
The inner action face has the stamp of David J Leese , restorer and repairer, dated
Unique Lachenal Edeophone. World’s First? Wheatstone Aeola 56 Key Tenor-Treble. Lachenal 48 Key Edeophone. Bargain Lachenal 48 Key Paragon Treble. Extremely Rare -and sought after-Wheatstone Baritone Treble.
I believe the Lachenal concertinas have hammered stamps on the interior someones initials and a date or something written somewhere inside), and these.
This Charles Jeffries never knew a thing, never been taught anything— most extraordinary, as he turned out an instrument that no other maker could equal. He used the hardest steel there was, very solid. As far as we know, Charles Jeffries had no technical training and was never employed by any of the previously established concertina makers; 2 yet he somehow managed to produce concertinas that are widely regarded as among the best ever made.
Jefferys, Parade Street, Paddington, W. Today, the instruments made by Charles Jeffries command some of the greatest interest and highest prices of any vintage concertinas. Serial numbers would be most valuable for approximating the date of manufacture of the individual instruments and for estimating the total production of Jeffries concertinas. Numbers abound inside the Jeffries concertinas. However, these consist of one, two, or three digits that are either handwritten pencil or ink or stamped on the reed pan, underside of the action board, or upper inside edge of the bellows or that are etched into the underside of the metal fretwork see Appendix 1.
We have been unable to determine if a particular number is a model number, batch number for a production run, or a number that was the handiwork of an owner or repairer of the instrument. The only way to obtain an approximate date for a Jeffries instrument is from its features; there are five periods of Jeffries-family-made instruments, dating approximately from to , although there are overlaps between these periods.
In the absence of any business records, broad characteristics of Jeffries production are thought to be as follows:.